I have a couple of other Dante products to hand as well, an SSL Nucleus 2 and an Audinate AVIO 2 channel input adapter, as well as several computers running Dante Virtual Soundcard. My main recording studio interface is now a Focusrite Red 16Line, expanded with a pair of Focusrite A16R’s and a Focusrite X2P giving me 48 channels of analog IO together with 32 channels via Dante. Over time I expanded my studio with more Dante equipment. As part of my research into the Red 8Pre, I learnt a little more about Dante as a technology. One product came up in the search - the Focusrite Red 8Pre, which did all of this, as well as providing 32 channels of Dante. ![]() My particular wish list for a new interface was to have a product that supported low latency native (over Thunderbolt 2/3), as well as Pro Tools HDX. Up until then, Audio over IP and Dante had not really been on my radar, even though I had heard about them, at the time it seemed to be mainly for broadcast and live environments. I started using Dante in 2017 when I was looking for a new audio interface. ![]() But what about smaller facilities and one-room studios? It is this setting that we are going to explore in this article. Audio over IP, and in particular Dante, has become very popular in broadcast and live sectors of the audio industry as well as in some of the larger studios and multi-room facilities.
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